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Artemis Axen
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Chapter 35

18:55

I don't remember exactly how I ran across the street.

Only smudged fragments stayed in my memory: the screech of a minivan's brakes, an angry shout from a driver through an open window, the wet, slippery asphalt under my soles — and that straight, receding dark coat ahead.

The man didn't quicken his step. Didn't look back. Didn't try to weave between the passers-by. He walked evenly, with a kind of fatalistic measure — as if he'd known in advance that this time I would step over every convention and catch up with him.

"Wait!"

My voice came out hoarse, cracking mid-tone.

The figure at the edge of the shelter went still. Very slowly, as if overcoming an inner resistance, the man turned to face me.

For a second an old fear stirred in my chest: now it would all end again by the familiar script — he'd make an imperceptible step back, dissolve into the crowd, vanish around the nearest corner. But that didn't happen. He simply stayed where he was, waiting for me to come closer.

I braked two metres from him.

The man stood absolutely calm, leaning both palms on the brass handle of his walking-stick umbrella. The deep hood still hid the upper half of his face. From under the fabric came heavy, uneven breathing. And a dry, rasping cough.

That same one.

Helen caught up with me some twenty seconds later — stopped sharply beside me, breathing hard, but said not a word. She understood too: the silence must not be broken now.

He spoke first.

"You've got faster, Michael."

The voice — dry, hoarse, cracked. As if every phrase physically scraped his throat.

"Who are you?"

He tilted his head slightly to one side, studying me from the dark of the hood:

"You already know the answer yourself."

"No. I want to hear it from you."

"You know," he repeated without emotion.

From the depths of my subconscious a dull, furious irritation rose in a hot wave — the kind that had been building for weeks.

"Enough. Enough riddles, half-hints, and notes in hiding places. Enough vanishing right under my nose. Who are you?"

A long, viscous pause. After it — the hiss of tyres on a parallel street. Then he said quietly:

"Take off the hood."

It took me a moment to grasp what he meant.

"What?"

"This is exactly what you've wanted all these weeks, Michael. Take it off. Yourself."

My hand rose automatically. Slowly, as if pushing through dense air, my fingers touched the damp fabric. I pulled the hood sharply back, opening his face to the light of the streetlamp.

The face I had subconsciously expected to see — the face of a mysterious mastermind of a conspiracy — did not exist in nature.

In front of me stood a man of about sixty. Probably. Pinning down his exact age was nearly impossible — he looked as if life had run him through the millstones three times faster than the standard calendar. Deep, sharp lines around the lips. Grey, neglected stubble. A frail neck with sharply protruding cords. Red eyes, inflamed from sleeplessness.

But the most frightening thing turned out to be the tiredness. That absolute, burnt-out emptiness that appears in a person after many years of existing without the slightest hope of a resolution. Not physical fatigue — something else, more fundamental. As if someone had pulled the load-bearing structure out of him, and everything else was holding up now purely by inertia.

And still — I recognized him instantly.

Not because a blocked archive file clicked in my brain. But because the night before I had stared without looking away at this face, examining the old photograph from Kent. There he had been considerably younger — smiling openly, holding a bouquet of sunflowers, and alive. Now it seemed that between that shot and this wet pavement in Pimlico not five years had passed, but a quarter of a century.

"Thomas," the word slipped from my lips of its own accord, against my will.

He gave a barely perceptible, very sad smile with the corners of his mouth only:

"Hello, Michael."

All the hard questions I had rehearsed and arranged into logical chains over the past weeks ceased to exist in an instant. Lost their syntactic weight. In front of me stood not the organizer of a conspiracy, not a dangerous pursuer, not the head of a government structure.

In front of me stood a man who was, right now, in genuine, unbearable pain.

Harris went into a fit of coughing — long, heavy, convulsive. He pressed an old checked handkerchief to his lips, and his shoulders trembled finely. When the fit finally ended and he lowered his hand, I managed to notice a tiny fresh brown stain on the white cloth.

With a quick, furtive movement he folded the handkerchief and put it away in his pocket. As if he sincerely hoped we hadn't registered it.

"Are you seriously ill?" Helen asked quietly, with a gentleness unusual for her, taking half a step forward.

He slowly shook his head:

"No."

A short, ringing pause.

"I'm simply running out. That's different."

I took a step closer, cutting the distance:

"Why didn't you come to me right away? If you knew everything — why make me go through this hell of an investigation?"

Harris shifted his gaze somewhere past my shoulder — to where, beyond the wet branches of the trees, the outlines of evening London could be made out. He was silent for a long time, as if each word had to be dug out with effort from the shards of his own consciousness.

"Because..." the voice grew quieter still. "Because I myself, more and more often with each passing day, forget what exactly I've already told you, Michael."

A cold crept down my spine, paralyzing the muscles.

"What does that mean?"

"Sometimes my memory comes back to me. Literally for a few hours of clarity. I remember everything — down to the smallest details. And then it all disappears again, sinking into a grey fog." He paused a little. "The Protocol works both ways, Michael. So I have to fix my thoughts on paper. Paper remembers the structure of data considerably better than our worn-out processors."

All of them flashed before my eyes at once — the old photographer in Kent, the caretaker of the abandoned building, the woman from Clapham. They had all repeated the same mantra. Paper remembers.

"Why didn't you just come to me right away?" I repeated.

Harris finally looked me straight in the eye — and in that look there was so much ancient, concentrated grief that I wanted to turn away:

"Because five years ago you yourself, in person, begged me never to do that."

Inside me a heavy steel cable seemed to come off its catch and fly downward.

"When?" I could barely move my lips. "When could I have said such a thing?"

He answered instantly, without a fraction of a second's thought — as if he'd been repeating this formulation to himself like a password for many years:

"Then. On that very last evening. Right before you ran the procedure and disappeared from the system. You turned to me at the door and said: 'Thomas, if one day the mechanism glitches and I start looking for the truth again — please don't stop me too early. Let me walk this route on my own.'"

The pavement under my feet began to slowly tilt to one side. My head spun. That conversation physically could not have been in my biography. I had no such memory. But somehow every word he spoke resonated inside me with an absolute, crystalline truth. The kind of truth the body remembers before the mind manages to.

"So... is all of it true?" I swallowed the dry lump in my throat with enormous effort. "Were you really... my friend, Thomas?"

Harris looked at me with such inexpressible emotion, the way you look at someone who has just lost a person very close to them but, from the shock, hasn't yet grasped the scale of the loss. In his inflamed eyes there was no superiority, no professional pity. Only an endless, age-old tiredness.

"No," he said, very quietly but distinctly.

I flinched at that dry denial.

"That word is too small, Michael. It's absolutely not enough here."

He took one more short step forward — and very carefully, almost weightlessly, laid his heavy hand on my right shoulder.

Exactly the same. Identical. As in that single surviving photograph from five years ago.

The physical warmth of his fingers through the thick fabric of the coat turned out to be frighteningly real. Solid. Tangible.

"We were family, Michael. The truest kind."

In that second I stopped taking in the city around us.

Stopped noticing the cabs, the drops of the beginning rain, the footsteps of passers-by. There existed only this cold hand of a man whom my own memory had once so neatly, so mercilessly struck from the register of the living. And that thing turning over somewhere in the very depths of my chest — dull, like the old ache of an old fracture: I had always, subconsciously, known who he was.

Harris slowly took his hand off my shoulder. He reached into the inner pocket of his coat and took out a thick, folded envelope. Not a torn note on a scrap of notebook. A real postal envelope of heavy paper, noticeably yellowed at the edges from long storage.

He looked at it for a few seconds — as if making a final decision. Then he held it out.

I took it in my hands. The envelope turned out to be unexpectedly weighty, as if there was something else inside besides sheets of paper. No stamps, no address, no postmarks. On the front — only two words, neatly written in my own calligraphic hand:

"When you forgive."

"What's inside?" my voice turned finally into a whisper.

Harris smiled barely perceptibly with the corners of his mouth only — and for a second looked again like that guy from Kent:

"I don't know. I really don't. I haven't opened it in all these five years. You yourself asked me back then not to, when you gave it to me for safekeeping."

He paused a little.

"And this one single promise, at least, I managed to keep for you."

The rain started in earnest — quietly, almost apologetically. Harris turned up the collar of his coat. His look was that of a man who had long since learned to live in the rain and not notice it.

I looked at the envelope in my hands and thought about only one thing.

When you forgive.

Not "when you find it." Not "when you remember." Not "when you're ready."

That exact word. That exact threshold.

And for the first time in all these weeks of investigation I understood that the most terrible part of the road hadn't begun yet. Because to find the truth and to forgive it are two different routes. And only one of them leads somewhere further on.